To create work that refuses to fit neatly into the pre-existing categories that structure how most people engage with recorded sound is to carve out a space that belongs only to the creator, a space that rejects any pressure to align with expectations of what a work should be, what it should communicate, what formal boundaries it should uphold to resonate with the audiences it is meant to reach, and that is the exact space that this work occupies from its first moment to its last. Categorized as Other across every axis of classification that might otherwise slot it alongside work that shares loose sonic, thematic, or cultural markers, this creation rejects any attempt to pin it down to a defined lane, turning the very space of uncategorizability into a core part of its identity, a marker that it exists outside the lines that most creative industries draw to streamline consumption, marketing, and discussion of the work they lift up.