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Rooted in the creative landscape of the Philippines, this pop sound, Rein Me In (with Olivia Dean), aligns with a long tradition of pop works that center intimate, incisive storytelling and the exploration of the full scope of human experience, a thematic throughline that ties it to lauded pop releases that use personal narrative to speak to universal truths. That same commitment to documenting the full weight of the human experience runs through Sam Fender’s album People Watching, a project that marks a distinct shift in perspective from his two prior full-length releases. On his debut Hypersonic Missiles, Fender fixed his gaze outward, drawing inspiration from the people who surrounded him in his hometown of North Shields, centering the stories of those working to scrape through every week just to reach the small joy of a Saturday, as well as the community members lost to the ravages of unemployment and suicide.