Other/Other/Other, the formal genre classification assigned to this sound rooted in Kenyan creative practice, centers the work of Rihanna, whose credited contribution to Only Girl (In The World) anchors the piece as a distinct entry within the broad, unbounded framework that its genre classification signals. Unlike genre labels that carve out specific, widely recognized sonic or cultural lanes to position a work within established creative lineages, the triple Other categorization rejects any effort to box the sound into pre-existing definitions, leaving space for the work to exist on its own terms, outside the limitations of the categories that often dictate how audiences engage with recorded sounds. This classification does not signal a lack of identity, but rather a refusal to fit into the narrow, often exclusionary genre boxes that have long shaped how creative work from global regions like Kenya is framed, categorized, and distributed to audiences around the world.