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No Sense, the sound work credited to Justin Bieber and Travis Scott, carries its official origin tied to the Philippines, with a genre classification of Music/Other/Other that situates it outside the narrow, pre-defined genre buckets that structure most mainstream music catalogs, and a formal link to the RBMG/Def Jam label framework that underpins its official release lineage. The Music/Other/Other classification assigned to No Sense is not a random or careless designation, but a deliberate categorization that recognizes the work does not align neatly with any of the more common, widely used genre labels that archivists, distributors, and audiences rely on to sort and contextualize creative audio output. For works that resist easy grouping, the open-ended Music/Other/Other classification creates space for those works to exist without being forced into a limiting box that fails to capture their full creative scope, and that is exactly the framework applied to No Sense.