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Sequential numbering in a work’s title signals a deliberate link to an earlier creative effort, grounding Pag-Ibig ay Kanibalismo II in a lineage of practice that unfolds across time, aligned with the chronological framing that shapes how this sound is positioned. Rooted in the Philippines, this work exists beyond the narrow bounds of pre-defined genre categories that often pigeonhole recorded sounds, falling into the expansive catch-all of Music/Other, a classification that rejects the need to force creative output into pre-existing boxes that might not capture its unique identity. To position this sound chronologically, we begin with the core context that any work bearing a II suffix emerges from a period of reflection, refinement, or expansion of the ideas that animated the first iteration, the original Pag-Ibig ay Kanibalismo, which predates this sound as the foundational work that cleared space for the second to exist.