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The liminality that defines Something Inbetween, from its very title to its placement within the artist’s catalogue, positions the work as a sharp, purposeful addition to the global pop landscape, rooted in the rich, ever-evolving pop ecosystem of the Philippines that has long turned to the genre’s flexible structure to explore nuanced, uncategorizable emotional and cultural states. As a catalogue snapshot, the work holds space for the kind of in-betweenness its name references, fitting neatly alongside the contextual throughline of Olivia Dean’s If You Know What I Mean, a record that similarly centers the gaps, the unspoken agreements, the half-formed feelings that fall outside the narrow boundaries of what popular media often frames as clear, resolute emotional experiences.