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Gabi refuses to be contained by the limits of popular or niche genre frameworks, a boundary-pushing work from the Philippines that exists outside the boxes used to sort most recorded sound for global audiences. The choice to categorize the work across three unassigned genre slots is not an oversight, but a reflection of its intentional rejection of the tropes and conventions that define even the most experimental of formally recognized musical categories. Every choice that shapes this sound works to upend expectations of what a recording from the region might be expected to deliver, leaning into uncodified modes of creation that prioritize personal expression over marketability or alignment with any existing scene.