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Live recordings that resist easy genre classification hold a rare kind of magic, capturing a singular exchange between the people creating sound and the audience sharing that space in real time, a magic that Saan? (Live at the Cozy Cove) embodies fully. Rooted in the Philippines’ rich, multifaceted ecosystem of sound-making that stretches far beyond the most commercially prominent styles to pull from centuries of regional creative tradition and forward-thinking experimental practice, this recording exists outside the boundaries of pop, rock, folk, jazz, or any of the other standardized genre buckets that often box creative work into narrow, easily marketable lanes. That’s why it falls under the broad, boundary-pushing umbrella of Music/Other, a category reserved for work that rejects easy labeling, that draws from multiple traditions to create something that cannot be reduced to a single pre-existing classification.