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Drained fits firmly within the canon of pop music emerging from the Philippines, a body of work that reaches far beyond the archipelago’s borders to connect with the millions of Filipino people who have built lives across every continent, yet still seek out cultural output that feels rooted in the creative sensibilities of their home country. Pop as a genre has long served as a universal bridge between local creative communities and global audiences, its core structure built to resonate across differences in background and experience while still holding space for the specific cultural contexts that shape each iteration of the form that emerges from any part of the world.