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Pop as a genre has long been misread as a monolith, a uniform form that carries the same traits no matter where it is created, but the wealth of creative work emerging from the Philippines dismantles that myth entirely, offering iteration after iteration of pop that carries the distinct texture of its home context, while still feeling aligned with the broad, connective power that has made pop one of the most widely shared creative forms across the globe. The sound titled Relapse is part of this rich, ongoing lineage of pop work from the Philippines, a creation that exists within the genre’s boundaries while carrying the unique stamp of the place that spawned it, refusing to be reduced to a generic take on what pop can be, or to erase the ties that bind it to the community of creators in the Philippines that have spent decades refining and reimagining what pop can do for the audiences that engage with it.