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Across the breadth of creative communities scattered across the Philippines, works of recorded sound that push beyond the limits of standard genre labels have long carved out a space that redefines what audiences and archivists expect from creative audio output, and High Score sits firmly within this lineage of work that refuses to be boxed in. The classification of this sound as Other/Other/Other, across every tier of genre categorization, is not a marker of any lack of craft or clarity, but a reflection of how thoroughly it resists alignment with every pre-existing framework used to group and contextualize recorded sound.