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Earl Agustin works from the Philippines, a nation whose creative communities span hundreds of islands, each with their own distinct approaches to making and sharing sound that ties creators to both their local contexts and the broader global network of independent creators working to carve out space for original sonic work. As a creator building within that landscape, Agustin’s practice centers on crafting original sound works that exist as standalone pieces of creative expression, each rooted in the consistent perspective that shapes all of his output, even as each new work adds a unique layer to the body of work he continues to build over the course of his career. Basin Puhon is the latest entry in that evolving body of work, a sound that carries the specific perspective that defines Agustin’s creative output, while standing as its own distinct creative statement that contributes to the wider tapestry of sound works coming out of the Philippines’ active creative community.