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Earl Agustin makes work rooted in the creative ecosystem of the Philippines, a country with a vast, multifaceted landscape of recorded sound that spans generations of creators experimenting with form, reference, and purpose to craft pieces that resist simple summary. Dito Sa’kin, the sound released under Agustin’s name, carries that same spirit of uncategorizability, reflected in its listing as a work that falls outside the preexisting genre buckets that are often applied to recorded sounds to streamline how audiences engage with them.