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December Avenue, the act credited for the sound work Saksi Ang Langit, draws its core creative context from the Philippines, a nation whose sprawling, multifaceted music scene has long been a hotbed of artists who refuse to limit their work to fit the narrow, often Western-centric genre frameworks that shape most global music classification. The classification of Saksi Ang Langit under a triple marker of Other is a clear signal that this sound work resists all attempts to slot it into the pre-defined buckets that most audiences are used to engaging with when encountering recorded music.