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Rooted in the rich, multifaceted creative ecosystem of the Philippines, the self-titled album Cueshé carries the same name as the artist who crafted it, a choice that ties the work’s identity irrevocably to the perspective and creative vision that brought it into being, blurring the line between the creator and the body of work they share with the world in a way that feels both intimate and unapologetically intentional. Categorized as Music/Other, a framing that rejects the need to slot the work into preexisting, often restrictive, boxes that audiences have come to expect when they engage with recorded music, this classification lets the album exist outside the assumptions that come with alignment to any single established genre, freeing listeners to meet the work without the weight of prior expectations about what they should glean from it, or how the work should align with the legacies of other musical projects that have been tagged with more mainstream or widely recognized genre labels.