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Across the spectrum of creative sound production that emerges from the Philippines, works that fall under the broad classification of Music/Mix carve out space to reject rigid categorization that might limit the scope of what a sound recording can be, and Lakambini stands as one such work that exists within that expansive, unbound framework. The classification of Music/Mix does not box a work into a single, narrow set of conventions that might be associated with more siloed genre labels, instead allowing the sound to occupy whatever creative space its makers set out to build, drawing from any range of influences, practices, or creative impulses that feel aligned with the core vision of the recording. This kind of flexible classification fills a critical gap in how creative sound is framed, moving beyond outdated ideas that every recording must fit neatly into a pre-existing box to be recognized as a meaningful artistic work.