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Dukha, the sound that anchors this entry, is categorized as hip-hop, hailing from the Philippines, a country whose creative communities have long engaged with the global form of hip-hop, weaving their own experiences and perspectives into the genre’s broader tapestry. Genre classification, for all the boundaries it draws, never fully contains the breadth of any individual work’s identity, and the same holds true for Dukha, which exists within the framework of Filipino hip-hop while carrying a specificity that extends beyond the two labels assigned to it. National origin, too, acts as a starting point for understanding a work’s place in the global landscape of creative sound, rather than a definitive box that limits what that work can be or what it can communicate.