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Blended musical forms that tie to community and shared creative traditions anchor the work that emerges across the Philippines, where the space to merge distinct strands of sonic expression has long been a central part of how sounds are shared and reimagined across interconnected communities spread across the archipelago. This sound, Hanggang Kailan Kita Mahihintay, fits squarely within that context, categorized as a Music/Mix work that embodies the core ethos of regional music making that prioritizes fluidity over rigid generic boundaries. The choice to frame the work as a regional music note centers its connection to the local contexts that shape its creation, grounding it in the specific set of creative practices that define Philippine sound making rather than forcing it to align with external, one-size-fits-all generic labels that would strip it of its rootedness.