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Folk music, as a global category of creative expression, centers the lived, communal experiences of the cultures that spawn it, rejecting the often commercialized, mass-marketed frameworks that define many other strands of recorded and performed sound to prioritize the transmission of values, histories, and shared identity across time and distance. Within the Philippines, folk music occupies a unique and central space in the nation’s broader creative ecosystem, weaving together the diverse cultural threads of the hundreds of Indigenous and ethnolinguistic groups that call the archipelago home, while also evolving in ways that keep its core purpose of connection alive for new generations of listeners and creators. Awit Sa Antolihaw exists as a distinct entry in this expansive, ever-growing body of Philippine folk work, carrying with it all the weight and purpose that defines the genre’s role in communities across the country.