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The regional music note framework that shapes this entry centers geographic origin as the core anchor for understanding any creative sound, a choice that aligns with the core directive to root works in the specific context that spawned them, rather than flattening them into generic global categorizations that erase the specificity of their origins. For the sound titled D2, that originating context is the Philippines, a geographic frame that situates the work within the network of hip-hop creation that emerges from across the archipelago, a classification confirmed by the sound’s formal genre grouping as hip-hop. Unlike framing that would lead with a generic description of the work as a hip-hop recording, this regional note prioritizes the country of origin first, weaving that context into every layer of the entry to ensure that the sound’s ties to its home context are never sidelined by broader, less specific categorizations of what hip-hop as a genre can be.