Grova is a music discovery platform for trending songs, new albums, popular artists, music charts and curated playlists. Discover the energy of Afrobeats, African music, Nigerian songs, Naija music, Amapiano, Afropop, gospel music and Christian worship songs, alongside global favorites and new music releases.
Explore more music from Southeast Asia, including Tagalog songs, Filipino music, OPM music, P-pop, Pinoy hits, Tagalog love songs and fresh songs from Filipino artists. Grova also features Indonesian music, lagu Indonesia, lagu terbaru, lagu viral, lagu cinta, Indonesian pop, Dangdut and popular local music for listeners looking for today’s Indonesian hits.
Whether you are searching for viral songs, relaxing music, praise and worship, party playlists, romantic songs, Afrobeat hits, OPM favorites, P-pop releases or the latest lagu hits Indonesia, Grova helps you discover music for every mood, moment and playlist. Browse songs, albums, artists and playlists to find familiar favorites, rising artists and your next repeat-worthy track.
You know of Justine Skye. If she wasn’t a fixture on your moodboard as you perused Tumblr in its heyday, you’ve seen her as Annika Longstreet on Grown-ish; you’ve heard her single “Collide” remixed across your short-form video platform of choice. Certainly, you’ve known of her, but Justine Skye is no longer invested in public perception. Now, Justine Skye blisters with energy, ready to indulge—and to let others revel—in the fact that she finally knows herself. Skye’s newest music signals an ecstatic, distinctly physical pivot towards artistic liberation by way of the dance floor. Skye evokes the kinesis of movement as if by muscle memory: sticky skin; heat lightning on a humid summer’s eve; languorous hours spent under relentless Mediterranean sun; cheeks that ache from laughter. This uptempo, house-driven era is a glimmering nod to the long history of Black dance music—and years in the making for Skye. After signing a record deal in her adolescence, terminating it in favor of going independent, and eventually joining a new creative team spearheaded by Jahleel Weaver, she arrives at a personal and artistic crux. What emerges is the sonic approximation of a thrumming, glistening heartbeat: frenetic, proud, strong, and devilishly danceable. Above all, Justine is having fun. She knows intimately the feeling of bodily catharsis by the hand of a great DJ. Justine poses a challenge to her listeners: Come with me and dance. I know you feel it too.