Category frameworks for music are built to group works that share core sonic, cultural, or structural traits, but the broad classification of Music/Other exists to hold the works that slip between those established lines, defying the limited labels that often fail to capture the full scope of global creative output. This space often amplifies works that draw from multiple traditions, that experiment with established forms in ways that resist straightforward categorization, or that emerge from regional scenes whose defining sounds have not yet been codified into the standard genre lexicons used to organize global music catalogs.