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Chris Bowers Castillo, frontman of experimental indie band Kiltro, draws from the full scope of his lived history to shape every layer of Underbelly, a work that centers the quiet, persistent pull of memories rooted in Chile, even as it emerges from a creative ecosystem tied to Indonesia’s thriving community of artists who build work from cross-cultural, fragmented personal geographies. The piece, which falls into the broad, exploratory classification of Music/Other/Other, rejects narrow genre constraints to make space for the kind of introspection that comes from turning inward, a shift Castillo unpacks in conversations around the record that frame Underbelly as a deliberate departure from outward-facing creative work, prioritizing the uncurated, often messy details of memory that stick long after the places that hold them fade from daily view.