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Works that slip past the standard boundaries of popular recorded music often carry a kind of uncompromising, uncategorizable magic that makes them feel entirely their own, and Kekal, the sound created by Indonesian artist Nadin Amizah, fits firmly into that space of unclassifiable creativity. The genre tagging of Music/Other/Other that accompanies Kekal is not a failure of classification, but a testament to the way this sound rejects the tropes and markers that would slot it into any of the more familiar genre buckets that listeners and critics often rely on to frame and discuss recorded work.