The classification of world music exists to hold space for sonic works that emerge from localized creative traditions outside the dominant commercial frameworks that shape much of global popular music, centering works that draw from longstanding community-based creative practices while speaking to the specific contexts in which they were recorded. Indonesia, a sprawling archipelago of thousands of distinct islands, each holding its own set of creative and cultural practices that inform the music that emerges from its communities, provides the foundational context for this sound, Siapa Yang Tak Mau, which falls firmly within the world music genre as a work rooted in the specific creative ecosystems of the region.