Grova is a music discovery platform for trending songs, new albums, popular artists, music charts and curated playlists. Discover the energy of Afrobeats, African music, Nigerian songs, Naija music, Amapiano, Afropop, gospel music and Christian worship songs, alongside global favorites and new music releases.
Explore more music from Southeast Asia, including Tagalog songs, Filipino music, OPM music, P-pop, Pinoy hits, Tagalog love songs and fresh songs from Filipino artists. Grova also features Indonesian music, lagu Indonesia, lagu terbaru, lagu viral, lagu cinta, Indonesian pop, Dangdut and popular local music for listeners looking for today’s Indonesian hits.
Whether you are searching for viral songs, relaxing music, praise and worship, party playlists, romantic songs, Afrobeat hits, OPM favorites, P-pop releases or the latest lagu hits Indonesia, Grova helps you discover music for every mood, moment and playlist. Browse songs, albums, artists and playlists to find familiar favorites, rising artists and your next repeat-worthy track.
Indonesia’s pop music landscape weaves localized, personal storytelling into accessible, widely resonant sonic frameworks, and the official music video for Sotya, from Tasya Rosmala, sits firmly within that lineage of work that balances contemporary pop structure with deeply rooted, regionally specific lyrical expression. The track draws on a tight, collaborative creative team that has supported Rosmala across multiple of her released works, bringing consistent, intentional craft to every stage of production. For Sotya, the lyrical and compositional foundation is laid by Dru Wendra Wedhatama, whose writing anchors the track in the intimate, conversational tone that defines many of Indonesia’s most beloved pop releases, while the arrangement and vocal direction are helmed by OM Adella, a creative partner that brings the same careful oversight to Rosmala’s karaoke version of Purnama Merindu, another pop track that carries the same commitment to centering lyrical narrative as it connects with audiences.