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Shallallahu Ala Yasin unfolds as a sound work rooted in Indonesia’s sprawling, interconnected creative landscape, classified as Music/Mix to capture its intentional rejection of the narrow, siloed genre labels that often frame recorded music for commercial or archival purposes. The Music/Mix designation exists to hold space for works that draw from more than one established musical tradition, weaving together strands of practice that might otherwise be separated by regional, cultural, or stylistic lines, a framing that fits perfectly with the long history of cross-community creative exchange that defines Indonesian music as a whole.