Seventeen’s Seisi Hati, rooted in the creative ecosystem of Indonesia, occupies a space in global sound catalogues within the Music/Other genre grouping, a classification designed to hold works that exceed the narrow, prescriptive genre labels often used to organize mainstream music collections. From a catalogue perspective, every work is positioned to honor the details provided by its credited creator, ensuring that no sound is forced into a box that misrepresents its origin, its intent, or its unique identity, and Seisi Hati follows that framework, presented with the core context that ties it to the Indonesian creative landscape from which it emerged. Catalogue curation that centers a people-first approach, as this practice does, prioritizes the clarity and integrity of each work’s associated details, avoiding the addition of unconfirmed context that might skew an audience’s understanding of the sound or the artist behind it.