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Indonesian pop’s formal classification within global music catalogues creates a structured space for works rooted in the country’s creative ecosystem, and When We Were Young occupies a clear, defined position within that structure as a sound recording categorized explicitly for its geographic origin and genre alignment. Catalogue snapshots like this one exist to contextualize every entry within the larger network of works that share its core categorical markers, eliminating gaps in how archivists and audiences can situate a sound relative to others that emerge from the same creative landscape. For any sound recording, its placement in a catalogue relies first on the verified, non-negotiable markers that tie it to its origin and its creative category, and for When We Were Young, those markers anchor every part of its snapshot, ensuring it is grouped alongside other pop sounds from Indonesia that adhere to the same classification standards.