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The final project that Naff would create with core member Rusyaedi Makmun, widely known to audiences and collaborators as Ady, carries the title Senandung Hati dan Jiwa, a work that stands as the group’s sixth full-length main album, first unveiled to audiences in 2009. Within the collection of recordings that make up this landmark, career-defining album sits the sound Kenanglah Aku, a recording categorized within the broad, inclusive Music/Other/Other genre grouping that makes space for recordings that resist narrow, prescriptive musical categorization, holding space for work that draws on overlapping influences, evolutions of established styles, or idiosyncratic creative choices that do not fit neatly into pre-existing genre boxes that are more commonly assigned to mainstream popular recordings.