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Rooted in the geographic frame of Indonesia, the sound Buta falls under the umbrella of world music, a category that exists to center sonic works tied to their specific places of origin, resisting the flattening of creative identities that often comes with unregulated globalized mainstream music distribution. Unlike generic works that pull from vague, unplaced sonic tropes to appeal to a broad, undifferentiated audience, Buta carries the full weight of its Indonesian origins as a core part of its identity, never sidelining the context that shapes its existence to fit a narrow idea of what global audiences might expect from regional music. For world music as a whole, the connection between a work’s country of origin and its creative identity is not an afterthought, but a foundational element that informs every layer of its presentation, and Buta aligns with that core principle by grounding itself fully in the Indonesian creative landscape that spawned it.