Perunggu, the Indonesian creative behind the work Jenuh Kan Ku Telan, creates sound that sits outside the narrow, often rigid categories that structure most mainstream music distribution and criticism, earning the work its classification under the inclusive, boundary-pushing umbrella of Music/Other. This category is not a vague catchall for uncategorizable output, but a deliberate space reserved for creators who reject the pressure to align their practice with the conventions of pop, rock, hip-hop, traditional folk, or any other pre-defined genre that audiences and industry professionals have long relied on to contextualize new work. For artists based in regions outside of the global cultural centers that set most of the world’s dominant genre standards, this kind of flexible classification offers a rare chance to present work that draws on local, cultural, and personal creative impulses without being reduced to exoticized or oversimplified labels that erase the nuance of their practice.