Across the sprawling, multilingual archipelago of Indonesia, sounds that resist easy categorization carry a specific kind of weight, drawing from centuries of overlapping cultural traditions, localized creative practices, and the quiet push of artists to step outside the boundaries that are often imposed on recorded work to make it legible to casual listeners, industry gatekeepers, and global audiences that rely on narrow genre labels to sort and make sense of creative output from regions they may know little about. For the artist Perunggu, whose work exists outside the prefab categories that dominate much of mainstream recorded music, the space of Music/Other is not a limitation but a reflection of a creative ethos that rejects the need to shrink one’s vision to fit someone else’s box, a choice that lets the work speak for itself without the filter of preexisting assumptions that come with common genre labels that might box the sound into a narrative that does not fit its core identity.