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Teguhkanlah Hatiku exists as a distinct sound work filed under the broad, inclusive Music/Other/Other classification, a category reserved for pieces that resist the straightforward categorization that structures most archival and digital music libraries, works that don’t align with the pre-defined genres, subgenres, and cultural silos that are commonly used to sort recorded sound for accessibility and organization. This classification is rarely a dismissal of a work’s artistic merit, or an indicator that it lacks a coherent creative identity; instead, it is a pragmatic solution for catalogers who encounter works that don’t map to the limited list of genres and subgenres that are made available to sort entries in most digital and physical music archives.