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Pagar Makan Tanaman emerges from Indonesia to join the global tapestry of works classified as world music, a category that has long centered sonic creations tied to distinct regional cultural identities, framing them for audiences that seek to engage with creative expression outside of the homogenized mainstream of global commercial media. As a sound rooted in the cultural landscape of one of the world’s most geographically and culturally diverse nations, it carries the unspoken weight of Indonesia’s centuries-long history of creative exchange, both within the archipelago’s hundreds of distinct communities and across the borders that have connected Indonesian creators to audiences across Southeast Asia and beyond for generations.