For creators working across creative contexts that resist the narrow, often Western-centric genre frameworks that shape most global music cataloguing, the choice to categorize a work outside of commonly listed genre labels becomes a deliberate choice that centers the work’s uncategorizable identity rather than forcing it to fit into boxes that don’t align with its core. That space of uncategorized, unboxed creative output is where Ojo Nangis resides, the work of Indonesian artist Ndarboy Genk, a creator whose practice exists in the gaps between the genre labels that most audiences are accustomed to encountering when they engage with recorded sound. Too often, genre labels work to box creative work into silos that make it easier to market, sort, and circulate through mainstream industry systems, but they erase the nuance of creative traditions that have evolved outside of the contexts that birthed most of the standardized genre categories used in global music catalogues today.