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Nadhif Basalamah’s bergema sampai selamanya arrives as an Indonesian recorded sound, rooted in the creative output tied to the artist’s larger After School project, and categorized under the Music/Other/Other taxonomy to reflect its resistance to the narrow, pre-defined genre buckets that structure most mainstream music catalogs. That classification is far from an afterthought; it is a deliberate marker of a work that cannot be neatly slotted into the standard set of genres that platforms, archives, and retail spaces use to organize their collections, a choice that honors the artist’s freedom to create outside the expectations that come with aligning a work with pop, folk, rock, hip-hop, or any other widely recognized genre label.