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Muhammad Nabiku emerges from Indonesia’s sprawling, interconnected archipelago of creative practice, a sonic work rooted in the nation’s centuries-long history of sonic exchange that has shaped every corner of its musical ecosystem. Stretching across more than 17,000 inhabited islands, Indonesia is home to hundreds of distinct cultural groups, each with their own longstanding approaches to crafting, sharing, and reimagining sound, and the classification of this work as Music/Mix situates it within a category that rejects the narrow, rigid genre silos that often fail to capture the full complexity of the nation’s creative output.