Pop sounds rooted in Indonesian creative practice carry a distinct range of cultural and sonic resonances that shape how they are situated within global music catalogues, and Dekap exists as a work that aligns with the long lineage of pop creations emerging from the country’s vast, diverse creative community. Within formal music cataloguing systems, the classification of a sound as pop from Indonesia does more than assign a basic set of tags; it situates the work within a network of creations that draw from shared regional creative contexts, even as each individual work carries its own unique identity that sets it apart from every other sound entered into those same systems. Dekap, as a sound catalogued under those parameters, holds its place as a distinct entry that contributes to the breadth of Indonesian pop works that are preserved and organized within global and regional music archives, a collection that grows steadily as more creators from the country share their work with audiences across the world.