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Raim Laode frames every entry in his creative catalogue as a standalone reflection of his practice as an Indonesian creator, and Menari-nari stands as one such work that occupies a unique space within the full scope of his output. As a catalogue snapshot, this entry captures the core details that situate the work within the broader archive of Laode’s creations, prioritizing clarity around its origins and its classification as a distinct sound recording tied to the artist’s ongoing body of work. Unlike works that fall into widely recognized genre classifications, Menari-nari is categorized across three layers of supplementary genre marking that position it outside of standard, pre-defined genre buckets, a classification that reflects its ability to resist easy categorization within the frameworks commonly applied to sound recordings from Indonesian creators and global creators alike.