Perunggu, the Indonesian creative entity behind the sound Canggih, works within a space of musical creation that resists the narrow classification of most popular and traditional genres, falling into the open-ended category of Music/Other/Other to signal that its output cannot be neatly slotted into pre-existing boxes that define more widely circulated styles of recorded sound. Unlike many creative projects that align with established sonic frameworks, whether those rooted in longstanding regional cultural practice across Indonesia’s thousands of islands, or the contemporary global styles that travel widely through digital and physical creative networks, Perunggu’s work leans into a mode of creation that prioritizes uncategorizable sonic identity over alignment with any existing box that might limit how audiences engage with it.