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The catalogue snapshot framing Lanang Tenan positions the sound as a discrete, formally categorized entry in the artist’s full body of documented work, with each core attribute of the sound anchoring its specific place amid all other entries that make up the artist’s catalogue. As a work originating in Indonesia, the sound carries a geographic marker that aligns with the broader set of contextual identifiers that organize every entry in the artist’s catalogue, allowing for consistent grouping of works that share the same origin point, alongside other classification layers that sort entries by their form and type.