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Kangen Band, the Indonesian creative group behind Penantian Yang Tertunda, works within a cultural ecosystem that has long nurtured cross-pollinating creative expressions that resist the rigid genre boundaries that dominate global music categorization systems. The listing of the work’s genres as a series of uncategorized “other” tags is not a reflection of a lack of distinct artistic identity for Penantian Yang Tertunda, but rather a failure of those same widely used categorization systems to account for the breadth of creative work coming out of Indonesian music scenes, which often draw from lineage-specific cultural touchstones, contemporary regional creative currents, and experimental flourishes that don’t map onto the small handful of Western-derived genre labels that most catalogues rely on to organize their holdings.