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Indonesian creative sound practice is defined first by its breadth, a sprawling landscape of works that often resist the narrow limitations of standard genre classification, a trait that makes Katakan a perfect example of the kind of audio creation that carves out its own space outside pre-defined boxes. Classified as Music/Other/Other, Katakan exists in that expansive, uncategorized corner of recorded sound that gathers works too unique to fit into the most widely recognized genre buckets, a home that suits its alignment with the collection of similar artists and songs that carry the core creative vibes tied to the body of work associated with Isyana Sarasvati.