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Within the spectrum of work that defines the creator’s full documented catalogue, Magdalena emerges as a sound that aligns with the throughline of engagement with Indonesian creative lineage that anchors all of the artist’s output under the world music umbrella. As a catalogue snapshot, this sound does not exist in isolation; it connects to every other work in the artist’s body of material, forming part of a cohesive whole that explores the breadth of practices that fall under the classification of world music, rooted firmly in the cultural context of its Indonesian origin. Every work in a creator’s catalogue serves a unique purpose, whether it expands on a previously explored thread, leans into a core priority that has guided the artist’s output across its entire set of documented entries, or carves out a small but meaningful space that adds nuance to the larger story the catalogue tells as a collective body of work.