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About this Song
The title the world is ending all over again carries the kind of quiet, pervasive weight that pop music has long turned into a vessel for shared, unspoken collective feeling, a work that emerges from Indonesia’s thriving, dynamic pop ecosystem, a landscape that turns specific, relatable framings of everyday worry into work that resonates far beyond the borders of its origin. Pop as a genre is far from the monolith that outdated cultural criticism once framed it as, and regional iterations of pop from across Southeast Asia, and specifically Indonesia, have spent decades refining the ability to turn large, abstract anxieties into accessible, widely embraced work that meets audiences where they are, whether that’s in small urban centers across Java, in diaspora communities scattered across every inhabited continent, or in listeners who encounter the sound through the global spread of regional pop that has broken down longstanding barriers to what was once considered mainstream international pop.
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