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Across global music catalogs that sort work into rigid, often Western-derived genre buckets, work that resists easy placement often lands in the Music/Other category, a space that holds creations that push past the limits of what standard classification systems are built to name. For Dzulfahmi, the Indonesian creator behind the sound Bawah Bintang, that classification is not a label of obscurity or lack of definition, but a reflection of the way many creators working outside of the commercial mainstream’s core industry hubs craft work that cannot be contained by the limited set of categories built to serve large-scale global music distribution.
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