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The credited identity of Olivia Rodrigo, paired with the Indonesian origin of this sound, anchors the work in a dual framework of creative authorship and geographic context that invites listeners to engage with it beyond any preexisting notions they might bring to their encounter with it. This work, titled drop dead, carries with it a set of classifications that reject the standardization of genre that so often dictates how audiences engage with recorded sound, with all three assigned genre tags marked as Other, a choice that refuses to slot the work into preexisting sonic categories that might limit how it is received, interpreted, or shared.