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Hindia’s creative practice is rooted in the Indonesian artistic landscape that shapes all of their output, and the broad, uncategorizable genre classification assigned to hated in the Nation sets up a quiet, intentional contrast between the specific cultural grounding of the work and its refusal to fit into narrow, pre-defined creative boxes, a core tension that carries through the entire body of work it belongs to, anchored by the larger album context of Sun Eater. This pairing of specific origin and open-ended classification does more than just organize the sound for cataloging purposes; it frames the way the work exists in the world, unshackled from the expectations that come with being slotted into a single genre, able to resonate with listeners who might not seek out work tied to a specific style, while still carrying the clear marker of its Indonesian roots that ties it to the community that fostered its creation.