World music, as a critical and creative categorization, exists to center sonic works that draw from the deep, specific cultural geographies that shape their creation, framing them for global audiences while honoring the localized roots that give each piece its distinct, unshakable identity. Unlike niche genre labels that exist to corral sounds into easily marketable Western-centric boxes, world music’s core purpose is to elevate the diversity of creative expression that emerges from every corner of the globe, rejecting the myth that Western pop and experimental traditions are the only legitimate forms of recorded sound worth centering in mainstream cultural discourse. Lima Waktu, a work rooted in the creative landscape of Indonesia, fits firmly within this framework, carrying with it the weight of the archipelago’s centuries-long legacy of sonic innovation, a legacy that spans every island and cultural group that makes up the world’s largest island nation.